arttravelbug

Georgia O'Keeffe: Visions of Hawaii New York Botanical Garden To October 28, 2018 "O’Keeffe was astonished by the beauty of Hawaii." Hawaii in NYC: Georgia O'Keeffe: Visions of Hawai'i at New York Botanical Garden "Finding out Georgia O’Keeffe had a Hawaiian period is kind of like finding out Brian Wilson had a desert period. But here it is: “Georgia O’Keeffe: Visions of Hawaiʻi,” 17 eye-popping paradisal paintings, produced in a nine-week visit in 1939, and now on display at the New York Botanical Garden in the Bronx, through October 28. It is the first time the largely unknown group has been shown together since its original exhibition in 1940 at Alfred Stieglitz’s gallery, An American Place, in New York. In addition, there are two oil sketches never before exhibited. And not a bleached skull in sight..." [ read more in the New York Times ]. "Her advertising work — the original impetus for the trip — is only a minimal part of the

"A work of art is not to ease but to awaken and hassle the mind." Daniel Cordier There is an art auction coming up later this month at Sotheby's (on September 27) that is like no other. Assembled over 70 years by Daniel Cordier, the French Resistance figure and renowned Parisian gallerist, the collection features nearly 400 historic works. It is Cordier's backstory, however, that is fascinating. "The early life of Daniel Cordier reads like something out of a John le Carré thriller: soldier, spy, resistance hero, art dealer. After parachuting into Nazi-occupied France in 1942 aged 22 on the orders of the exiled General Charles de Gaulle in London, Cordier worked with the leader of the French Resistance, Jean Moulin..." [ read more on The Guardian ]. "For a year he was Moulin's right-hand man, writing his correspondence and liaising with other leaders. In May 1943 he was on guard outside the building in Paris, when the first meeting of the u

“At the heart of nearly every art crime, we see greed woven into the fabric of the scheme—greed to take it, and greed to profit from its return.” Jill Sanborn, Special Agent in Charge of the Minneapolis Division of the FBI "A pair of ruby slippers worn by Judy Garland in the 1939 film The Wizard of Oz and stolen from the actress’ namesake museum in Minnesota more than a decade ago has been recovered, the FBI announced. The iconic sequined shoes, known as the 'traveling pair'—one of at least four pairs used in the film that are still in existence—were stolen from the Judy Garland Museum in Grand Rapids, Minnesota in 2005 and recovered earlier this summer during a sting operation. But the case is far from over..." [ read more on FBI News ]. "Rhys Thomas, author of The Ruby Slippers of Oz, called the slippers 'the Holy Grail of Hollywood memorabilia. They are maybe the most iconic cinematic prop or costume in movie history, and in fact, in cultural hi

Portrait of Dr. Gachet is one of the most revered paintings by the Dutch artist Vincent van Gogh. It depicts Dr. Paul Gachet who took care of Van Gogh during the final months of his life, and was painted in June 1890 at Auvers-sur-Oise. There are, or were, two versions of the Portrait of Dr. Gachet, as well as a single etching. The whereabouts of the original Portrait of Dr. Gachet are unknown, and is one of today's biggest art mysteries. Portrait of Dr. Gachet - the original Whereabouts unknown First sold in 1897 by Van Gogh's sister-in-law for 300 francs, the original Portrait of Dr. Gachet was subsequently bought by Paul Cassirer (1904), Kessler (1904), and Druet (1910). In 1911, the painting was acquired by the Städel (Städtische Galerie) in Frankfurt, Germany and hung there until 1933, when the painting was put in a hidden room. It was confiscated by the Nazis in 1937 as part of its campaign to rid Germany of so-called degenerate art. Instead of destroying

Creative Commons images Photogestion on Flickr "Piero Fornasetti was an artist ahead of his time. With an imagination that blurs the lines between illusion and reality, his surrealistic and – dare I say – psychedelic works are always unexpected and catch you by surprise. The exhibition juxtaposes Fornasetti’s surrealist pieces alongside the gallery’s permanent collection of classical sculptures and Renaissance works in an ironic and inventive way. Throughout the frescoed rooms and grand halls, the parallel objects seem to “speak” with each other, creating a dialogue between the works that play with the imagination and invite the viewer to venture into a land without rules or preconceptions..." [ read more ]. To visit Citazioni Pratiche (translation: "Practical Quotes" or “Practical Citations”) Museo Nazionale Romano, Palazzo Altemps, Piazza S. Apollinare 46, Rome Tuesday – Sunday, 9:00am – 7:45pm (last entry at 7pm) Closed Mondays Exhibit tickets C